The Approval Economy
The Approval Economy is Steve Hargadon's framework describing a modern condition in which traditional economic production has been largely replaced by continuous performance for audience approval across all domains of life. Drawing on his broader evolutionary psychology framework, Hargadon argues that what was once limited to a small occupational class of public-facing professionals has become "the default condition of ordinary life."
Historical Context and Emergence
According to Hargadon, there historically existed "a small class of people who lived public-facing lives for a living. Actors, politicians, royalty, clergy, public intellectuals." These individuals "maintained a curated public self that was different from who they actually were in private," with the gap understood as "the cost of doing that work." This mode of existence was recognized as corrosive, with extensive literature documenting "the drinking, the breakdowns, the secret betrayals, the exhaustion of never being off, the specific pathologies of fame."
The transformation began with Web 2.0 and became endemic with social media. As Hargadon explains: "What happened, starting with Web 2.0 and then becoming endemic with social media, was that a condition previously limited to a small occupational class became the default condition of ordinary life." The teenager with a Facebook profile in 2010 was now performing the same functions as movie stars in 1957, but "unlike the movie star, the teenager had no agent, no publicist, no training, no compensation, and no off-season."
The Performative Continuum
The Approval Economy operates across what Hargadon describes as a performative continuum, running "from the knowledge worker at one end to the influencer at the other." The knowledge worker "crafts every message for legibility to the boss, tunes the tone of every meeting contribution to the read of the room, and learns which expressions of opinion produce career advancement and which produce cooling." The influencer represents the extreme end, with "no real independence at all once the audience is built — revenue, identity, and social standing are all functions of continued audience approval."
Structural Shift from Production to Performance
Hargadon argues that a fundamental economic shift has occurred from object-based to performance-based work. He contrasts historical production: "The small farmer, the blacksmith, the shopkeeper at the founding of the United States lived in a world where a much larger share of economic activity consisted of making things that could be evaluated on their own terms. The bread could be tasted. The shoe could be worn."
In contrast, modern work "happens inside large organizations, and work within them is performative in a way that work outside them generally is not." This is "the natural continuation of schooling," which "trains people, for twelve or sixteen or twenty years, to perform for evaluators." The move toward group work in both educational and workplace settings leads away from individual responsibility and toward evaluation based on "how a person shows up within the group."
Exploitation of the Adaptive Mind
In Hargadon's framework, the Approval Economy specifically exploits what he calls the adaptive mind — "the software layer that gets installed during your developmental window, that reads the environment, identifies which performances generate approval, and hands you a role." This system produces what he terms the performative self, whose "central job is not self-expression. It is role assignment."
The adaptive mind, originally calibrated to "read a small number of faces in the tribe," is now "running at capacity, drafting the person into performance across every domain of their waking life, in environments that reward performance and withdraw warmth when it lapses." This represents a form of what Hargadon calls "real sabotage" rather than self-sabotage, because it involves external systems deliberately manipulating evolved psychology.
The Performance Imperative in Institutions
Hargadon identifies a performance imperative operating within modern institutions. Organizations that describe themselves in virtue-based terms often function through what he calls the narrative-operative gap, where "the work, quietly, is often not the work the description advertises." Workers within such institutions become "distanced from the very things they originally cared about" because their survival depends on maintaining the institutional performance.
This creates what Hargadon describes as a particularly insidious form of capture: "The worker whose work is itself performance inside the pipeline cannot afford that clarity, because clear sight about the institution, the leadership, or the official narrative threatens the performance, which is the product."
Pathological Consequences
The Approval Economy produces what Hargadon calls "specialized pathologies that used to belong to actors and politicians — the loss of the private self to the public one, the inability to locate who you are when no one is watching, the exhaustion of continuous curation." These have become "ordinary pathologies, forced on anyone with a phone and a job, starting earlier in life than any previous generation has had to endure them."
The framework identifies these effects across multiple domains: "Friendships, relationships, and even marriages have become performance," because "every close relationship now has a channel through which it can be, and often is, made visible, comparable, and subject to reactions from people outside it."
Relationship to Broader Framework
The Approval Economy functions as part of Hargadon's larger analysis of what he calls the Law of Inevitable Exploitation (L.I.E.), which states that "whatever behavior or activity exploits and extracts from available resources most effectively will survive, grow, and win." The Approval Economy represents this principle operating at the level of individual psychology, exploiting the adapted mind's evolved need for group approval in environments where "the approval of the group was not a social comfort. It was a survival requirement."
Implications and Analysis
Hargadon's framework suggests that modern individuals face an unprecedented situation where "there is less and less unperformed time." This creates conditions where people are "drafted into performance by your own adaptive software, which is doing exactly what it evolved to do, in an environment that has industrialized the signal it was built to track."
The Approval Economy thus represents not a moral failing but a structural condition in which evolved psychological mechanisms are systematically exploited by institutions that have learned to capture human attention and approval for extractive purposes. As Hargadon concludes: "You are not, in the first instance, failing at authenticity. You have been drafted into performance."